- Tickets: Walk in and pay what you decide
- Company: SARU
Felicity Gee – Rejected Narration: Stretching the Limits of the ‘City Film’ in Guy Maddin’s docufantasia My Winnipeg (2007)
Canadian filmmaker Guy Maddin is a master of collage, and has made a treasure trove of films that testify to his profound knowledge and love of cinema, and of re-purposing found footage. Originally commissioned by the Documentary Channel, My Winnipeg tells the story of Maddin’s home city from the point of view of a narrator who is desperate to leave the snow and nostalgia of its clutches. This talk explores the ways in which myth, folklore and urban legend contribute to a portrait of the city that is both true and false. It follows the red herrings, the reconstructions and pathways through Winnipeg as narrated by Darcy Fehr who plays Maddin on screen. It considers the gaps and fissures in the dialogue, and the ways in which voice-over narration enters the realm of fantasy while adhering to documentary conventions. What, we might ask, of the ‘rejected narration’? All will be revealed. Finally the talk will discuss the collage of sound and image in provoking emotional and phenomenological reactions to spaces, both real and imagined.
What if I had already left decades ago?
What if? What if?
Winnipeg. Winnipeg. Winnipeg.
Guy Maddin. My Winnipeg – Film Script. Canada Council for the Arts, 2009.
Felicity Gee is lecturer in Modernism and World Cinema at the University of Exeter. She is the author of the forthcoming monograph Magic Realism: The Avant-Garde in Exile (Routledge, 2019), and has published on Surrealism and avant-garde film, Japanese film, and affect theory. Most recently, she was awarded a British Academy grant to conduct archival research in Cuba, on the interdisciplinary work of Alejo Carpentier. Felicity’s research straddles film, art history and literary studies, and her current projects investigate the collaborative work of modernist writers and artists that takes place across and between media.
Talks on everything from augury and Nan Shepherd to Gertrude Stein and Virginia Woolf, to field recording and Twin Peaks. All are welcome and no previous knowledge of the subjects is necessary.
SARU is part of MA in Sonic Art at Oxford Brookes University, and provides a forum for dialogue and exploration between the fields of composition and sonic art. Areas of further focus include electroacoustic and language based composition, interdisciplinary practices, field recording and auditory knowledge. SARU is bolstered by a community of practitioners.
Sound I’m Particular is a Pay What You Decide series. PWYD works by enabling audiences to attend events without paying for a ticket beforehand, then on exiting the event, you have the opportunity to pay what you decide you want to, or can afford to, based on your overall experience.
Curated by Patrick Farmer.
Parking & Access
There are a number of Blue Badge parking spaces nearby on Beaumont Street, and more on New Inn Hall Street and St Giles.
The closest car park is Gloucester Green Car Park, accessed via Gloucester Street.
If you have any questions or concerns, the City Council’s Access Officer can be reached at 01865 249811.Car parks in Oxford Blue Badge information Public transport in Oxford
Disabled patrons are eligible for one free companion ticket with their booking. To book this, contact the ticket office: email@example.com or 01865 263990.
There are two entrances to the Old Fire Station: 40 George Street via the foyer, and on Gloucester Green via the shop. Both are step-free. If you are coming to a show, we ask that you use the George Street entrance, as the Gloucester Green entrance is not always open.
Events in the Theatre
There is level entry to the foyer of the Old Fire Station, and step-free access to the main Theatre (where most shows take place).
If you are a wheelchair user attending a sit-down show, space will be reserved for you. If you are attending a standing gig, please contact us (call the ticket office on 01865 263990 or e-mail firstname.lastname@example.org) and we will talk with you about your needs.
Events in the Studio
There is level entry into the foyer of the Old Fire Station, and step-free access to the Studio.
Events in the Loft
There are six steps leading up to the Loft space, with no lift. If you would like to discuss this to find out more, please get in touch.
There is step-free access to the Gallery – level entry through the George Street entrance, and via lift from the Gloucester Green entrance.
There is an accessible toilet on the ground floor, accessible via platform lift. Other toilets are in the basement (accessible via lift).
All types of assistance and guide dogs are welcome at the Old Fire Station. It would be great if you could let us know in advance if you will be bringing a working dog to any performances – just e-mail email@example.com.
We will warn visitors on the website and in the foyer of the venue if a performance is going to contain strobe lighting. If lighting affects you, and you have any concerns, please call the ticket office on 01865 263990 or e-mail firstname.lastname@example.org.
Chairs in the theatre
Our chairs are a standard dining-chair size, measuring 40cm deep by 37cm wide, with a metal frame. Some have arms, and some do not. They are all joined together at the sides, to form rows. If this is likely to pose a problem for you, please email email@example.com and we can discuss how to make your visit more comfortable.